Offenbach: Can Can: from Orpheus in the Underworld: String Quartet
Can-Can, or Infernal Galop, from the spoof opera Orpheus in the Underworld arranged for 2 Violins, Viola and Cello. When played very fast, this is about 2 minutes long.
Arrangement: Difficulty 7 out of 9
Offenbach: Can Can: from Orpheus in the Underworld: Wind Quartet
Can-Can, or Infernal Galop, from the spoof opera Orpheus in the Underworld arranged for Flute, Oboe, Clarinet and Bassoon.
Arrangement: Difficulty 7 out of 9
Parry: Jerusalem: Clarinet Quartet
Jerusalem: And did those Feet in Ancient Time: words by William Blake. A Proms favourite for 3 Clarinets and Bass Clarinet.
Arrangement: Difficulty 5 out of 9
Arne: Rule Britannia: 3 Violins, Cello
Rule Britannia words were from a masque by James Thomson, about Alfred the Great, set to music by Arne. It became popular as a patriotic tune which is played and sung every year at the Proms at the Royal Albert Hall. Arranged as a quartet for 3 Violins and Cello.
Arrangement: Difficulty 4 out of 9
Wagner: Liebestod: Piano Duet
Liebestod, from the opera Tristan and Isolde. This is the final and heart rending Love Death aria, arranged for Piano Duet.
Arrangement: Difficulty 8 out of 9
Strauss R: Di Rigori Armato: French Horn Trio
Di Rigori Armato, from the opera Der Rosenkavalier, for 3 French Horns.
Arrangement: Difficulty 6 out of 9
Cavalli: Amara Servitu: French Horn Quartet
Amara Servitu, from the opera La Calisto, for 4 French Horns.
Arrangement: Difficulty 6 out of 9
Elgar: Land of Hope and Glory: Clarinet Quartet
Land of Hope and Glory, from Pomp and Circumstance: Op.39, No.1. A Proms favourite for Clarinet quartet: 3 Bb Clarinets and Bass Clarinet.
Arrangement: Difficulty 4 out of 9
Parry: Jerusalem: String Quartet
Jerusalem: And did those Feet in Ancient Time: words by William Blake. A Proms favourite for 2 Violins, Viola and Cello.
Arrangement: Difficulty 5 out of 9
Gottschalk: O ma charmante, epargnez moi: Violin
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Violin and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Wind Quartet
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Quartet for Flute, Oboe, Clarinet and Bassoon.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Clarinet Quartet
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Quartet for 3 Bb Clarinets and Bass Clarinet.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Viola
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Viola and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: French Horn
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for French Horn and Piano.
Arrangement: Difficulty 6 out of 9
Bach: bwv 1068: Air on G: Trumpet and Piano. Eb major
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano. Eb major.
Arrangement: Difficulty 7 out of 9
Bach: bwv 1068: Air on G: Trumpet and Piano. F major
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Trumpet and Piano. F major.
Arrangement: Difficulty 7 out of 9
Pernambuco: Sons de Carrilhoes: The Sounds of Bells - Choro: Guitar tab
The Sounds of Bells, or Sons de Carrilhoes: a Brazilian Choro, or instrumental dance, for Guitar with tab.
Arrangement: Difficulty 4 out of 9
Pernambuco: Sons de Carrilhoes: The Sounds of Bells - Choro: Guitar
The Sounds of Bells, or Sons de Carrilhoes: a Brazilian Choro, or instrumental dance, for Guitar.
Arrangement: Difficulty 4 out of 9
Bach: BWV 1067, 6th mvt: Minuet: A mi: Trumpet and Piano
BWV 1067: Orchestral Suite No.2, 6th Mvt: a charming Minuet arranged as a duo for Trumpet and Piano.
Arrangement: Difficulty 4 out of 9
Bach: BWV 1067, 4th mvt: 2 Bourrees: Viola, Piano
BWV 1067: Orchestral Suite No.2, 4th Mvt: Two Bourrees arranged as a duo for Viola and Piano.
Arrangement: Difficulty 4 out of 9
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