Rachmaninoff: Op. 34, No.14:Vocalise: Flute, Piano
Op.34, No.14: Vocalise, the very beautiful wordless song, this version is a duo for Flute and Piano.
Arrangement: Difficulty 6 out of 9
Rachmaninoff: Op. 34, No.14:Vocalise: Clarinet, Cello, Piano
Op.34, No.14: Vocalise, the very beautiful wordless song, this version is a trio for Clarinet, Cello and Piano.
Arrangement: Difficulty 6 out of 9
Rachmaninoff: Op. 34, No.14:Vocalise: Violin or Voice, Piano: Bb minor
Op.34, No.14: Vocalise, the very beautiful wordless song, this version is a duo for Violin or Voice, and Piano, in Bb minor.
Arrangement: Difficulty 6 out of 9
Rachmaninoff: Op. 34, No.14:Vocalise: Violin, Piano: A minor
Op.34, No.14: Vocalise, the very beautiful wordless song, this version is a duo for Violin and Piano, in A minor.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Trumpet
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Trumpet and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Trombone
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Trombone and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Tenor Sax
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Tenor Sax and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Oboe
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Oboe and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Flute
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Flute and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Clarinet
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Clarinet and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Cello
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Cello and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Bass Clarinet
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Bass Clarinet and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Alto Sax
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted. Duo for Alto Sax and Piano.
Arrangement: Difficulty 6 out of 9
Gottschalk: O ma charmante, epargnez moi: Piano
Oh ma charmante, epargnez moi, or Oh my charming one, spare me: a Creole style habanera mingling sadness with restless passion. According to Gottschalk, this should be played exactly as instructed, so that the player does not overly personalise, but plays exactly as the composer wanted.
Original: Difficulty 7 out of 9
Ponchielli: Dance of the Hours: Daytime: Ensemble: Flute, Oboe, 3 Clarinets, Bassoon, Trumpet, 2 Violins, Viola, Cello
Dance of the Hours, the Daytime theme from the opera La Giaoconda; also used in the film Fantasia, and otherwise known as Hello Muddah, hello Faddah or Camp Granada. Duration about 1 minute, 40 seconds. Arranged for Mixed Ensemble of Flute, Oboe, 3 Clarinets, Bassoon, Trumpet, 2 Violins, Viola, Cello.
Arrangement: Difficulty 5 out of 9
Traditional: The Rising Sun: Voice - E minor
The Rising Sun is a folk song made famous by The Animals, telling a story of a young man and the evils of gambling at The Rising Sun, a house of ill repute. About 2 minutes, 50 seconds. Voice and Piano, E minor.
Arrangement: Difficulty 4 out of 9
Ponchielli: Dance of the Hours: Daytime: String Quartet
Dance of the Hours, the Daytime theme from the opera La Giaoconda; also used in the film Fantasia, and otherwise known as Hello Muddah, hello Faddah or Camp Granada. Duration about 1 minute, 40 seconds. Arranged for 2 Violins, Viola and Cello.
Arrangement: Difficulty 5 out of 9
Ponchielli: Dance of the Hours: Daytime: Brass Quartet
Dance of the Hours, the Daytime theme from the opera La Giaoconda; also used in the film Fantasia, and otherwise known as Hello Muddah, hello Faddah or Camp Granada. Duration about 1 minute, 40 seconds. Arranged for 2 Trumpets, Euphonium and Tuba.
Arrangement: Difficulty 5 out of 9
Ponchielli: Dance of the Hours: Daytime: Wind Quartet
Dance of the Hours, the Daytime theme from the opera La Giaoconda; also used in the film Fantasia, and otherwise known as Hello Muddah, hello Faddah or Camp Granada. Duration about 1 minute, 40 seconds. Arranged for Flute, Oboe, Clarinet and either Bass Clarinet or Bassoon.
Arrangement: Difficulty 5 out of 9
Weber: Op.10a, No.1, 2nd mvt: Romanze: Trumpet, Piano
Op.10a. No.1, Sonata in F: 2nd movement: Romanze. The sonata is from the first of two sets of 3 progressive sonatas, both named Op.10. However Weber had already published a set of piano sonatas under Op.10, therefore these sonatas are often known as Op.10a or Op.10b. Originally for violin and piano, this arrangement is for Trumpet and Piano.
Arrangement: Difficulty 5 out of 9
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