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Wagner: Wedding March: from Lohengrin: 2 Clarinets
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is for Clarinet Duo and is about 1 minute 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: 3 Clarinets, Bass Clarinet
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is for 3 Bb Clarinets and Bass Clarinet duo and is about 1 minute 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: 3 Clarinets, Bass Clarinet
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this is a quartet for 3 Clarinets and Bass Clarinet. 1 minute, 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: 4 Clarinets
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this is a quartet for 4 Clarinets. 1 minute, 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: Clarinet, Double B
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is for Clarinet and Double Bass.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: Clarinet, Guitar
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is for Clarinet and Guitar duo and is about 1 minute 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: Clarinet, Piano
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is for Clarinet and Piano and is about 1 minute 30 seconds.
Arrangement: Difficulty 4 out of 9
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Wagner: Wedding March: from Lohengrin: Fl, Ob, Cl, Fg
Wedding March, Bridal Chorus, Here Comes the Bride: this famous piece is known by all those titles. From the opera Lohengrin, this arrangement is a quartet for Flute, Oboe, Clarinet and Bassoon.
Arrangement: Difficulty 3 out of 9
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Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Arrangement: Difficulty 3 out of 9
Free Printing
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Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Original: Difficulty 3 out of 9
Free Printing
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Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Original: Difficulty 3 out of 9
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Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Original: Difficulty 3 out of 9
Click to preview ->>
Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Original: Difficulty 3 out of 9
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Wakefield: An Upside Down Suite
An Upsidedown Suite. A charming suite for piano and 3 clarinets.
Original: Difficulty 3 out of 9
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Weber: Op.10a, No.1, 2nd mvt: Romanze: Clarinet, Guitar
Op.10a. No.1, Sonata in F: 2nd movement: Romanze. The sonata is from the first of two sets of 3 progressive sonatas, both named Op.10. However Weber had already published a set of piano sonatas under Op.10, therefore these sonatas are often known as Op.10a or Op.10b. Originally for violin and piano, this arrangement is a duo for Clarinet and Guitar.
Arrangement: Difficulty 5 out of 9
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Weber: Op.10a, No.1, 2nd mvt: Romanze: Clarinet, Piano
Op.10a. No.1, Sonata in F: 2nd movement: Romanze. The sonata is from the first of two sets of 3 progressive sonatas, both named Op.10. However Weber had already published a set of piano sonatas under Op.10, therefore these sonatas are often known as Op.10a or Op.10b. Originally for violin and piano, this arrangement is for Clarinet and Piano.
Arrangement: Difficulty 5 out of 9
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Weber: Variations: Op. 33 for clarinet (a)
For this Theme Weber used the aria, Warum musst ich je erblikken, from his opera, Silvana, to write a series of variations for clarinet and piano.
Original: Difficulty 3 out of 9
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Weber: Variations: Op. 33 for clarinet (b)
First Variation from Op. 33 for clarinet and piano.
Original: Difficulty 6 out of 9
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Weber: Variations: Op. 33 for clarinet (c.). Piano Solo.
Second Variation from Op. 33 for clarinet. This variation is a piano solo while the instrumentalist has a rest.
Original: Difficulty 7 out of 9
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Weber: Variations: Op. 33 for clarinet (c1)
Second Variation from Op. 33. This variation was written as a piano solo while the clarinet has a rest, but this arrangement is for those who would like to play it as a clarinet and piano piece.
Arrangement: Difficulty 7 out of 9
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Weber: Variations: Op. 33 for clarinet (d)
Third Variation from Op. 33. This variation has an alternative version by Heinrich Baermann, who Weber wrote this work for. Some people play the Weber version first, and the Baermann version for the repeats.
Original: Difficulty 8 out of 9
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Weber: Variations: Op. 33 for clarinet (e)
Fourth Variation from Op. 33. This variation is a piano solo which goes like the wind, so it is only suitable for confident pianists. The clarinet is again silent during this variation.
Original: Difficulty 8 out of 9
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Weber: Variations: Op. 33 for clarinet (e1)
Fourth Variation from Op. 33. This variation was originally a piano solo but this is an easier version for the pianist, to be played with the clarinet.
Original: Difficulty 6 out of 9
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Weber: Variations: Op. 33 for clarinet (f)
Fifth Variation from Op. 33 for clarinet and piano.
Original: Difficulty 8 out of 9
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Weber: Variations: Op. 33 for clarinet (g)
Sixth and Seventh Variation from Op. 33 for clarinet and piano.
Original: Difficulty 8 out of 9
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