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BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 3 Violins and Cello.
Arrangement: Difficulty 5 out of 9
BWV 1068: Orchestral Suite No.3, 3rd Mvt: Two graceful and jolly Gavottes, arranged for 2 Violins, Viola and Cello.
Arrangement: Difficulty 5 out of 9
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Flute, Violin and Guitar.
Arrangement: Difficulty 5 out of 9
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged as a quartet for 3 Violins and Cello.
Arrangement: Difficulty 5 out of 9
The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For string quartet of violins, viola and cello, the cello takes the high melody.
Arrangement: Difficulty 8 out of 9
The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For 2 string orchestra or quartet of violins, viola and cello
Original: Difficulty 5 out of 9
The 2nd movement of Orchestral Suite No.3 is well known as Air on the G string. For string orchestra or quartet of violins, viola and cello, this version is in G major.
Arrangement: Difficulty 5 out of 9
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Violin and Guitar duo.
Arrangement: Difficulty 7 out of 9
Air on G from 3rd Orchestral Suite. The Hamlet ad, also the inspiration for A Whiter Shade of Pale. Arranged for Violin and Piano.
Arrangement: Difficulty 5 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged as a trio for two Violins and Piano.
Arrangement: Difficulty 6 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Alto Sax, Violin and Piano.
Arrangement: Difficulty 6 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Clarinet, Violin and Piano.
Arrangement: Difficulty 6 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Flute, Alto Sax, Violin and Cello.
Arrangement: Difficulty 6 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged so that each player has a bit of the melodic line; for Flute, Violin and Piano.
Arrangement: Difficulty 5 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for String Quartet and Guitar.
Arrangement: Difficulty 5 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano.
Arrangement: Difficulty 7 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano. C major.
Arrangement: Difficulty 7 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Guitar duo.
Arrangement: Difficulty 5 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Guitar duo.
Arrangement: Difficulty 5 out of 9
Arioso, the beautiful slow movement from Concerto No.5, and from Cantata 156, arranged for Violin and Piano, Bb major.
Arrangement: Difficulty 7 out of 9
Gavotte from English Suite No. 3, arranged as a duo for violin and cello
Arrangement: Difficulty 5 out of 9
Aria from the Goldberg Variations, a trio for Violin, Viola and Cello.
Arrangement: Difficulty 6 out of 9
Aria from the Goldberg Variations, a duo for Violin and Guitar.
Arrangement: Difficulty 6 out of 9
2nd Goldberg Variation arranged for violin 1, violin 2 or viola, and cello.
Arrangement: Difficulty 6 out of 9
Jesu, Joy of Mans Desiring: Church Cantata No.147: trio for Violin, Cello and piano.
Arrangement: Difficulty 6 out of 9
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